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Autumn Kioti Moonface's performed to Jaguar Moon by Misha and myself. |
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PRINT! vol3 by The Operating System. includes 4 versions of the edition. my contribution is a series of DAW graphics tracing the evolution of my piece Bathed in Aether. also includes a piece by Zoltán Komor (in Hungarian but there will be links to the english translation on line) |
Bathed in Aether |
"Behind Doors of Water" IRR 703. 200
copies, 7" vinyl. three collaborative tracks by Ole Christensen, Steve
Cerio, Terje Dragseth and myself, mixed by Jan-Morten Iversen, mastered
by Jos Smolders. Order direct from mrcosmos77@hotmail.com or.... visit
Apollon or Playcom in Bergen “Here is one star team of people from Bergen collective Big Robot and other famous personalities from the Norwegian ambient / noise / experimentel scene. Here they are with a 7 "vinyl single in familiar style. Ambient noise in a lighter experimental soundscapes. Big Robot in 2009 released three albums in which they had collaborated with the late Conrad Schnitzler. Michael Chocholak collaborated with Schnitzler in 1988 so here is more than a link to the Con. Those familiar with his work in his most ambient kraut period will probably nod familiar to this single. This is the sound of sound as templates between the ears. Chuckling away as if this was a audio elv in a landscape made for headphones and dream sequences behind closed eyes. So beautiful and touching. Soundtrack for film entries from not too deep. The sound is crystal clear and it is incredibly important on such releases. This music can be heard over and over again and discover new nuances every time. There are a lot of sound but also you get almost a minimalist sense of it all. This vinyl deserves to be in your record collection.” - Music from Norway. |
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Available from GinJoha The Taste of Metal and The Air and the Surface of Water at Soundclick MySpace |
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The Hadron Suite
Together with Ooy, electronic composer from Tokyo and member of Conrad Schnitzler's reformed Kluster, we exchanged, processed and arranged each other's raw material (samples and field recordings) into a series of compositions that grew and coalesced into "The Hadron Suite". The music, spanning 68 minutes, is varying between electroacoustic sci-fi drone and granular noise. The drive to know and understand the cosmos shines like a beacon as if from Plato's fifty six circulating crystal orbs down through the ages to be focused now by one huge spherical lens, a vacuum more perfect than outer space where fifty ton magnets cooled by liquid helium spin opposing orbits of Pandora's threads, revealing the birth of our universe and opening doors to other dimensions; the Large Hadron Collider. Available with previews from Triple Bath . The Hadron Suite - A captivating, unromantic depiction of vast space and the mercurial nature of its material, including the vibrating bustle of our own planet. Michael Chocholak and Masato Ooyama, whose common musical denominator is electronics pioneer Conrad Schnitzler (the former has collaborated with him, the latter has been a member of the reformed Kluster since 2007), each presented sound archives to the other, out of which twelve tracks were crafted. While the Large Hadron Collider after which it is named promises to unlock fundamental laws about the nature of the physical universe, the album provides it with a soundtrack. It sounds like science, not science fiction. This is space music without the sentimentality or sensationalism of sputnik beeps or sucking, black-hole whooshes, but cosmic nonetheless. It is alluringly forbidding, but in an indifferent way, just like the real thing. There is beauty in it, but also risk. "Circle of Lethe" revolves gracefully, bathed in zero gravity starlight, while the pulsating, erosive rays of "Prometheus and Pandora" feel unhealthy, even to listen to. Stephen Fruitman | Sonomu | May 2011 |
Lucid Dreaming
by Scarcity of Moments A collaborative project by Johann Meier and myself. Nearly an hour of guitar and bass ambience realizing a sonic version of the multiple view points, fractured geometry, and repetition found in the literary works of Alain Robbe-Grillet and Ryunosuke Akutagawa. Edition of 72 copies packaged in three variations of manipulated images by Johann. Available with preview track from Small Doses . leaning toward the liquid surface, cylindrical glass half filled with a golden liquid and shapeless darkness at SoundClick at MySpace at last fm "Memory belongs to the imagination." - Alain Robbe-Grillet |
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Alveromancy; the act of conjuring using
sound
Abstract electronics, behemoth guitar drones, sonic surrealism. 56 minutes, CDR, full color artwork print in a transparent sleeve. Available with previews from Triple Bath . "Originally a guitarist, these days (Michael is) using anything he can lay his hands on: from the guitar to the computer, from drums to glass - all of this is used to the extent of no longer being able to recognize what it is. Creating large pieces of vast and dense clouds of sound. Music that sounds very electronic, yet very organic too. You don't recognize the initial sources - it's only because they are mentioned in the press text. Music like this would be called ambient industrial: it's too noisy to be fully ambient and relaxing, and too ambient to pass on as real noise. This is sort of ambient (industrial, drone whatever) music that I really like. Referring to modern electronics (especially Roland Kayn), heavily processed electro-acoustic music and Germany's cosmic music (especially Conrad Schnitzler), this is music that hardly sees innovation, but in the capable hands of Chocholak it's still a great miracle." Franz de Waard/Vital Weekly |
Intersections "Matt Howarth's first mainstream mystery thriller novel comes as a PDF file on a CD with a 65 minute soundtrack of electronic music by Michael Chocholak. The music is highly infectious, uptempo electronics that blend agro industrial styles with dancefloor sensibilities, producing a haunting and harrowing soundtrack for the story." Available exclusively at the Bugtown Mall |
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Hollow Bodies
Published by echOmusic ; a septet of abstract electronic and electroacoustic incantations (including a new track written for the release) both visceral and evocative, that resonate in time, space and the imagination. Some of my best solo abstract compositions collected from over a decade of works in the spirit of Edgard Varese's Poeme Electronique, Tamas Ungvary's L'aube des flammes, and John Chowning's Turenas. Re-mastered by fellow electronic composer, sound engineer, and good friend Themis Pantelopoulos (aka Nokalypse) to bring out an even greater depth and brilliance. Even if you've gotten an mp3 download of these tracks, you're not hearing them as big as they truly are; music felt by your body as well as your mind. no longer available selections at SoundClick lastfm |
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Collaborations with
Misha Nogha at Soundclick including
Conrad Schnitzler,
Richard Truhlar and myself, and her complete
live performance text pieces done with
Jonathan Golove
at SUNY Buffalo New York in December, 2002. |
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YASHKOOKMOE Channel at YouTube - a collection of cool vids including a playlist of vids using my music |
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a varying selection of some of
my older releases and compilations - some occasionally for sale. |
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More musics well worth
your savant ear; AgentA
, Briarmon Smetrach
, Richard Dunlap
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drt/Phenotypo ,
farewell23 , jopy , David Lee Myers/Pulsewidth
, Neon Egypt , Nokalypse/Triple Bath
, Ooy
, rachMiel , Redistort , Rik Rue , Conrad Schnitzler , The Schreck Ensemble
, substation 7
, Richard Truhlar
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